He refuses to recognize any moral standard whatsoever. Trivia Colin Firth and Emilia Foxwho play a married couple in this film, also starred as family members in the BBC Production of Pride and Prejudice ; only in that film, they were siblings.
He attempts to influence your decisions and force you to do terrible things. Whereas, we wish them to be artists, that is to say men. It was timeless, unchanging, and perfect.
When the novel opens, he and his opposite in aestheticism are discussing the protagonist, Dorian Gray. Once he makes his prayer that he change places with his portrait, to live life without aging while the portrait bears the marks of age, he follows a fairly unwavering course.
Influences on others, if existent, are trivial at best. In this respect, Basil Hallward is the moral center of the novel. When he is under the influence of Basil Hallward at the beginning of the novel, he falls in love with Sibyl Vane and is willing to sacrifice all social standing for her.
Lord Henry is immoral in his supposed amorality. Lord Henry was introduced as a fellow with the tendency to influence people, and to win over the minds of those whom he spoke to.
Instead, when his love loses her acting ability because of love, he rejects her cruelly and she commits suicide. When Dorian Gray attempts to reform himself at the end of the novel, Lord Henry remains true to his long-established purpose.
Here, he shows Basil Hallward the evidence of his bad deeds out of a desire to shock and hurt his mentor. When he gives up Hetty, the country girl whom he has seduced, he assumes he is working toward his redemption.
As Wilde makes clear, it is only through a more restrained philosophy that aestheticism and morality may eventually align. One of the most prominent examples of this is from the scene in which Basil explains to Lord Henry why the painting should not be displayed in public.
When he does perceive the interior of Dorian's heart as Dorian reveals Basil's painting, which now betrays the soul he once thought was pure, Basil is greatly shaken, realising that his love of the aesthetic has been corrupted by Dorian Gray. Henry is like the devil that lingers on your shoulder perpendicular to the angel.
Victorian writers had long held art up as valuable for its ability to instruct and correct its readers. He immediately begins to exert his influence on the beautiful Dorian Gray, an opposite influence to that which Basil Hallward would wish for.
Confessing publicly would mean losing the reputation he has cultivated for years. He dominates the imagination of Basil Hallward and he is dominated in turn by the imagination of Lord Henry.
He cares nothing for the morality of conventional society. When he gives up Hetty, the country girl whom he has seduced, he assumes he is working toward his redemption. When he tells Basil Hallward and Lord Henry of his passion, the two older men are alarmed, but Basil Hallward begins to think it is a good thing for Dorian Gray to devote himself to love.
He has no allegiance to anyone he knows. When he sees Dorian has become upset over the portrait he paints of the boy, he is willing to destroy the painting. The face told the story of the soul. This pursuit of perfection, however, is likely an arduous and uncomfortable task, and is therefore incompatible with pure aestheticism.
This he will never do. He paints a picture of Dorian as a way to capture the purity of his soul in a single time and place. In the end, as a testament to the purely aesthetic life, the only legacy Dorian leaves behind—everything that identifies him as who he was—is his superficial jewelry.
It can be bought, and sold, and bartered away. When he gives up Hetty, the country girl whom he has seduced, he assumes he is working toward his redemption. When Dorian Gray attempts to destroy the portrait, he is trying to destroy the link between art and morality, the link which Lord Henry has forever denied.
The Picture of Dorian Gray. This suggests that emotion and romance can be tainted and destroyed in the process of valuing lust over love.
For the aesthetes, if something is beautiful, it is not confined to the realm of morality and immorality. In this one sentence, Wilde encapsulates the complete principles of the Aesthetic Movement popular in Victorian England. To the aesthete, the ideal life mimics art; it is beautiful, but quite useless beyond its beauty, concerned only with the individual living it.
Unfortunately for Dorian, this realization comes too late to save his soul from its degradation, long-nurtured by a purely aesthetic life, and he is destroyed.Need help on characters in Oscar Wilde's The Picture of Dorian Gray?
Check out our detailed character descriptions. From the creators of SparkNotes. Homosocial and Homoerotic Bonds in Oscar Wilde’s The Picture of Dorian Gray Oscar Wilde’s The Picture of Dorian Gray possesses many underlying themes such as the purpose of art, the beauty of youth, and the superfluous nature of society.
Sibyl Vane is the young girl who instantly caught the heart of Dorian Gray, but lost it just as quickly.
Although, they only knew each other for a few weeks, she is the woman how had the most emotional impact on Dorian’s life. The Picture of Dorian Gray, moral fantasy novel by Oscar Wilde, published in an early form in Lippincott’s Magazine in The novel had six additional. This chapter was not originally included in the first versions of The Picture of Dorian Gray.
Wilde added it later in the revisions. Quote Analysis – Chapter 14 “Dorian was sleeping quite peacefully, lying on his right side.” Character: Dorian Gray. Sin and Redemption. Influence and Manipulation. Context. The Picture of Dorian Gray is an interesting study in three of the various masculine roles and examining these gender roles would make for a host of interesting thesis statements for The Picture of Dorian Gray by Oscar Wilde.Download